PRODUCT/0001
BootleG
stuB
A ticket used to get you into a match, then spend the next thirty years in a shoebox. It carried more than a seat number: who you went with, where you stood, what happened that night. A mobile pass gets you through the turnstile. It isn’t much of a keepsake.
Bootleg Stub is a home for your life in football. Find matches near you or in a city you’re visiting, record the games you’ve attended, and watch your history take shape across grounds, teams, competitions, and countries. Add photos, share stubs with friends, and bring earlier matches into the same story as the one you saw last night.
The digital ticket is the keepsake. The bigger picture is your relationship with the game—where you’ve been, who was there, and where you’re going next..
Brand / Product Design / UX / UI / Print / Development (with AI)
1,200+
leagues covered
616k
matches in the historical archive
Connecting a fan’s past, present, and next match takes more than live scores.
A check-in app is only as good as what it knows. Live fixtures stream from API-Football — 1,200+ leagues, lineups, goalscorers, events every 15 seconds. Everything older, and everything the API doesn't carry, was assembled from scratch. Fast: the historical archive in eight days, the claim engine in one.
615,902 rows · internationals 1872+ · English league 1888+ · European Cup 1955+
The fixture API ships no coordinates, so the stadium layer is home-made: Wikidata and OpenStreetMap merged into 11,000 grounds bundled inside the app at 2.5 MB — the lookup never needs a signal. The maps aren't fetched either: every stadium tile is rendered in headless Chrome from open map data and baked to a CDN.
11,000 stadiums · 1,790 pre-rendered tiles · MapLibre → Puppeteer → WebP
The app is free and stays free — no subscriptions, no in-app purchases. The revenue lives off the screen, in a print shop that opened alongside the launch: a city poster series set in the app's own editorial typography — Manchester, Milan, Buenos Aires, Tokyo — country prints on archival matte, and t-shirts carrying the same type system.
Three weeks from the first locked screen to the App Store — live June 4, 2026, Android the same month. Designed, written, and built solo, with Claude Code on implementation.
Free for iOS and Android. Keep the Stub.
PRODUCT/0002
scAm
Atlas
The travel warning you need is often already out there—buried in a forum, scattered across articles, or disconnected from the place you’re visiting.
ScamAtlas brings that information together as location-specific guidance, with tools for assessing situations that feel off. I built it around the moment that matters: when you need to decide what to do next.
Brand / Product Design / UX / UI / Content Strategy / Development (with AI)
Built for global coverage from day one.
508
cities covered
175
countries
21K+
scam entries in the database
Creative direction meets AI-assisted development.
ScamAtlas was built with a non-traditional workflow: I directed all design, UX, and brand decisions while using Claude Code (AI pair programming) for implementation. No traditional dev team — just a creative director with a clear vision and the tools to execute it.
Every screen started as an HTML prototype, then translated to React Native. The design system was built first and enforced throughout—no "fix it later" debt allowed.
Tools
Each tool exists for a specific moment — the sketchy Airbnb, the QR code at a street market, the Wi-Fi network you're not sure about. ScamAtlas gives you a tool for each one — not a list of tips to scroll through, but something you can use in the moment it matters.
Identity
Dark-first was a battery decision — travelers on the move can't afford a bright UI draining their phone. The restraint became the aesthetic: limited color, generous space, and a principle I kept coming back to — restraint is the premium signal.
.
.
.
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Safe
#2DD4BF
Watch
#FBBF24
Alert
#F97316
Warning
#F87171
Agents
A static database of 21,000+ scams would decay within months. ScamAtlas stays current through a system of AI agents — each with a specific job, running on a schedule. The agents surface the intelligence. I vet what makes it into the product.
Runs daily · 4 AM UTC / ~7KAPI calls/month
The result: a product that gets smarter and more current every day it runs — with AI doing the heavy lifting and a creative director making the final call. That's not prompt engineering. That's systems architecture directed by someone who understands what the product is.
A five-second AI video proves you can make a five-second AI video. The leap from that to “AI expert” is doing a lot of work.
With ScamAtlas, the challenge went beyond generating an output. It meant shaping the product, connecting the data, designing the experience, and building systems to gather, organize, and refresh the information—with me reviewing what makes it into the product.
AI helped with the implementation. It didn’t relieve me of the judgment, the decisions, or the responsibility for what shipped.
PRODUCT/0003
BootleG
gUiDes
The 2026 World Cup is the biggest ever. 48 teams, 3 countries, 16 cities, and a stack of official travel guides that read like they were written by the tourism board's legal department.
Bootleg Guides is the one that isn't. 50,000 words on where to actually drink, eat, sleep, and survive the tournament — written in the voice of someone who's been to East Rutherford and has opinions about it. Unofficial. Unauthorized. Unfiltered.
Written, designed, and shipped as a native iOS and Android app.
Concept / Design / Writing / Development (with AI)
I found myself with some extra time on my hands when I had a full rupture of my ACL and MCL in the summer of 2025. As someone who's been to every World Cup since 2014, I used it to write a 228-page, 50,000-word travel guide — honest about which stadiums are a nightmare to get to, which neighborhoods to actually eat in, which fan bars are real and which are tourist traps.
I made a book, then watched FIFA mess things up (more than usual) and politicians scare travelers like this was the movie Hostel. Print was the wrong format for a tournament that changes weekly. So I shipped it as a native app on iOS and Android.
I wrote the guide, developed the identity, and built the app and website using AI-assisted development. The editorial voice, the design, and the product decisions are mine.
No client brief. No committee. No one else to blame.
Practical information, a fan’s perspective, and opinions worth putting my name to.